Theorizing Modernism: Visual Art and the Critical Tradition

Main
Theorizing Modernism: Visual Art and...

Theorizing Modernism: Visual Art and the Critical Tradition

Johanna Drucker

0 / 0

Avez-vous aimé ce livre?

Quelle est la qualité du fichier téléchargé?

Veuillez télécharger le livre pour apprécier sa qualité

Quelle est la qualité des fichiers téléchargés?

Reconsiders the tradition of modern art and its history and draws upon the established critical lineage of modern art, well known figures and frequently referred to texts.

Année:

2019

Editeur::

Columbia University Press

Langue:

english

Pages:

220

ISBN 10:

0231898290

ISBN 13:

9780231898294

Fichier:

PDF, 11.79 MB

IPFS:

,

english, 2019

La conversion en est effectuée

La conversion en a échoué

Cela peut vous intéresser

Simon Shaw-Miller — Visible Deeds of Music: Art and Music from Wagner to Cage

Harris, Jonathan; — Writing Back to Modern Art

Eric Alliez — The Brain-Eye

Eric Alliez — The Brain-Eye

George A. Flanagan — Understand and Enjoy Modern Art

Steve Edwards & Paul Woods — Art & Visual Culture 1850-2010: Modernity to Globalisation

Steve Edwards, Paul Wood (eds.) — Art & Visual Culture 1850-2010 Modernity to Globalization

Mackay, Robin. — Brain-Eye

Francis Frascina, Charles Harrison — Modern Art And Modernism: A Critical Anthology (Icon Editions)

Will Gompertz — What Are You Looking At?: The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art

Alan Bowness — Modern European Art

Richard R. Brettell — Modern Art 1851-1929: Capitalism and Representation (Oxford History of Art)

Jonathan Harris — Writing Back to Modern Art: After Greenberg, Fried and Clark

James D. Herbert — Brushstroke and Emergence: Courbet, Impressionism, Picasso

Antoine Compagnon, Franklin Philip — The Five Paradoxes of Modernity

Yve-Alain Bois — Painting as Model

Kobena Mercer (ed.) — Discrepant Abstraction

Sam Rose — Art and Form

Sam Rose — Art and Form: From Roger Fry to Global Modernism

Sam Rose — Art and Form: From Roger Fry to Global Modernism

John Adkins Richardson — From Pure Visibility to Virtual Reality in an Age of Estrangement

Francis Frascina, Tamar Garb, Nigel Blake, Briony Fer, Charles Harrison — Modernity and Modernism: French Painting in the Nineteenth Century (Open University - Modern Art Practices & Debates)

George Heard Hamilton — Painting and Sculpture in Europe, 1880-1940

CROW, Thomas — Modern art in the common culture

Timothy J. Clark, T. J. Clark — Farewell to an Idea: Episodes from a History of Modernism

Simon Shaw-Miller — Visible Deeds of Music: Art and Music from Wagner to Cage

Sean Cubitt — Videography: Video Media as Art and Culture

Diana Newall, Grant Pooke — Fifty Key Texts in Art History

Hal Foster, Rosalind Krauss, Yve-Alain Bois, Benjamin H. D. Buchloh — Art Since 1900: Modernism, Antimodernism, Postmodernism

Hal Foster; Rosalind E. Krauss; Yve-Alain Bois; Benjamin H.D. Buchloh; David Joslelit — Art Since 1900: Modernism, Antimodernism, Postmodernism

Charles Harrison, Paul J. Wood — Art in Theory 1900-1990: An Anthology of Changing Ideas

Charles Harrison, Paul J. Wood — Art in Theory, 1900–2000: An Anthology of Changing Ideas

David W. Galenson — Painting Outside the Lines: Patterns of Creativity in Modern Art

David W. Galenson — Painting outside the Lines: Patterns of Creativity in Modern Art

Frederick R. Karl — Modern and Modernism: The Sovereignty of the Artist, 1885-1925

Mots Clefs