Disrupted Intersubjectivity: Paralysis and Invasion in Ian McEwan’s Works

Disrupted Intersubjectivity investigates two classes of phenomena creating failures of understanding in social interaction, referred to as ‘paralysis’ and ‘invasion.’ Both can be understood as disrupted forms of intersubjectivity, the former being characterized by a lack/deficiency of ways of relating to others, and the latter by an unnecessary surplus. By studying the literary accounts of these phenomena in a selection of Ian McEwan’s literary works (“Homemade,” On Chesil Beach, Enduring Love, and Atonement), Andrei Ionescu scheds light on the epistemological potential of literature and the structure of human relationships in general.
Part of the developing field of cognitive literary studies, Disrupted Intersubjectivity not only to uses cognitive scientific theories in order to clarify literary issues, but also to investigate to what extent can literature itself contribute to the process of understanding the workings of the human mind. By investigating the metacognitive issues staged and reflected upon in literary works, Ionescu challenges and refines contemporary cognitive and philosophical approaches to intersubjectivity and opens directions for further theoretical and empirical research.